 |
|
|
|
|
|
|
|
 |
|
||||||
 |
 |
 |
|
||||
 |
|
||||||
 |
 |
 |
|
||||
 |
|
||||||
 |
|
||||||
 |
|
||||||
 |
 |
 |
|
||||
 |
|
||||||
 |
 |
|
|||||
 |
|
||||||
|
|
|
|
|
|
|
|
|
|
||||||
|
|
|
|
||||
|
|
||||||
|
|
|
|
||||
|
|
||||||
|
|
||||||
|
|
||||||
|
|
|
|
||||
|
|
||||||
|
|
|
|||||
|
|
||||||
| Antique tableware, textiles, and jewelry inspire my openwork series. Antiques have the ability to reflect a culture that is no longer accessible to us and often lends only part of the whole story. These objects can at once capture something from the past and tap into a broader collective unconscious, giving antique styles and patterns a unique power all their own. The openwork series examines the passage of time and the impact of history. |